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Riley Stearns’ The Art of Self-Defense uses the surreal, deadpan setting of a suburban karate dojo to critique hegemonic masculinity. This paper analyzes how the film’s protagonist, Casey (Jesse Eisenberg), transitions from a timid victim to a hyper-aggressive predator, illustrating how patriarchal systems demand performance of violence. Through formalist analysis and gender theory, the film is interpreted as a satirical horror-comedy about the fragile construction of male identity.
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Please note that availability and selection may vary based on your region and the streaming services available in your area. Riley Stearns’ The Art of Self-Defense uses the
Released in 2019, The Art of Self-Defense presents a nightmarish logic: a man is beaten by a motorcycle gang, so he joins a karate studio to learn how to fight back. However, the dojo—led by the charismatic and brutal “Sensei” (Alessandro Nivola)—becomes a cult-like incubator for toxic masculinity. Unlike conventional action films that celebrate martial arts as discipline, Stearns’ film exposes how “self-defense” often mutates into offensive aggression and performative toughness. This paper argues that the film uses absurdist humor to deconstruct the social scripts that equate manhood with dominance and violence. If you're looking for information on "The Art
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What starts as a seemingly standard journey toward self-confidence quickly spirals into something far more sinister. As Casey is drawn into the dojo's secretive "night classes," he discovers a world built on toxic fraternity, extreme violence, and a distorted view of what it means to be a "man". Why It’s a Modern Cult Classic