Jade — Venus

“This isn’t just jade, boy. It’s yu —the stone of heaven. Wei Dong didn’t buy it in Burma. He stole it from a tomb in the Forbidden City. The tomb of a Ming princess who was said to love a common soldier. When the emperor found out, he had the soldier drowned in the Pearl River. The princess died of grief three days later. Her last wish was to be buried with a hairpin carved from the jade of her lover’s home province, so that in the next life, she might find him again.”

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Furthermore, Jade Venus provides a crucial contrast to the chaotic elements of the story. The Lunarians attack with sudden violence, and Phosphophyllite’s psyche fractures with equal volatility. Jade Venus stands in the center of this maelstrom as a figure of immovability. Her aesthetic design reflects this; she possesses a translucent, milky green hue and a poised demeanor that suggests a classical sculpture come to life. She embodies the concept of "gravitas." In the "Land of the Lustrous," where flexibility can mean survival but also moral compromise, Jade Venus’s rigid adherence to duty and her unyielding nature offer a sense of security to the viewer. She is the standard by which the other gems' erratic behaviors are measured. He stole it from a tomb in the Forbidden City