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In classical literature, the concept of the pharmakon (derived from Derrida’s reading of Plato) refers to something that is both a cure and a poison. For Haewon, the potion is a dual-edged sword: it "cures" his inability to connect with others, granting him the attention he may have subconsciously craved, but it "poisons" his autonomy, rendering his desires artificial. This dichotomy drives the tension of the manhua, positioning the romance not just as a blossoming relationship, but as a battle for the protagonist’s soul.

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