Rebecca Violetti Wunf ((new))

| Publication | Year | Venue | Key Insight | |-------------|------|-------|--------------| | “Embodied Algorithms” (monograph) | 2017 | MIT Press | Argues that algorithmic processes can be “embodied” through performative interventions, redefining agency in digital ecosystems. | | “From Data to Drama: Performing the Invisible” | 2019 | Journal of New Media & Society | Demonstrates how data visualization can be re‑framed as dramaturgy, fostering affective connections with abstract information. | | “Ecologies of the Self: Bio‑feedback as Political Tool” | 2021 | Critical Inquiry | Positions bio‑feedback art as a mode of resistance, allowing participants to externalize internal states and thereby politicize the body. | | “Collective Memory in the Age of AI” (co‑edited) | 2023 | Routledge | A collection of essays exploring how AI reshapes archival practices and communal remembrance. |

is an award‑winning multimedia storyteller and environmental advocate whose work fuses rigorous scientific research with compelling visual narratives. A graduate of the University of Illinois (B.A., Film & Media Studies) and USC’s School of Cinematic Arts (M.F.A., Documentary Production), she founded Violetti Studios in 2018 to champion human‑centred climate storytelling. Her acclaimed projects—including the Sundance‑winning short Threads of the Earth and the widely viewed COVID‑19 micro‑doc series—have earned her an Emmy nomination, a Green Book Award, and a spot on TIME’s 100 Next list. As Creative Director of the Eco‑Narratives Initiative , Rebecca continues to push the boundaries of storytelling through VR, AR, and interactive web platforms, while mentoring emerging creators and advocating for sustainable policy worldwide. rebecca violetti wunf

Rebecca situates herself within a lineage of practice‑based theorists such as , Hito Steyerl , and Rafael Lozano‑Hemmer . She adopts a critical pragmatism that: | Publication | Year | Venue | Key

The "WakeUpNFuck" (WUNF) series is a long-standing production line known for featuring new talent. In the 2025 release of WUNF 426, she worked under the direction of Pierre Woodman, an established figure in European adult media. This specific project involved collaborations with other emerging performers and was noted for its extensive production length. Recognition and Tracking | | “Collective Memory in the Age of