| Item | Size | Type | Bandwidth | |------|------|------|-----------| | | 2 GB | LPDDR5X (16‑bit) | 68 GB/s | | Cache | 256 MB | HBM2e (8 GB/s per lane × 8 lanes) | 64 GB/s | | On‑chip SRAM | 4 MB | 8‑bank low‑latency SRAM | 10 GB/s | | Flash | 16 GB | eMMC 5.1 (UFS‑2.1 compatible) | 600 MB/s | | Secure Element | 1 MB | TPM 2.0 + AES‑256 | – |
| Interface | Max Resolution / Frame Rate | Lanes | Supported Formats | |-----------|-----------------------------|-------|-------------------| | | 4 K @ 60 fps (YUV‑420, RAW10/12) | Up to 8 lanes (per camera) | RAW10, RAW12, RAW14, YUV422, RGB888 | | GigE‑Vision (optional carrier) | 8 K @ 30 fps | 2 × 10 GbE | Bayer, RGB | | USB‑3.2 (optional) | 6 K @ 30 fps | – | UVC, Bulk | avop-172
Years later, AVOP-172 is frequently cited in fan discussions as a "masterpiece" not just because of its content, but because it represents the moment Yua Mikami solidified her status as the undeniable queen of the industry. It proved that the "idol barrier" could be successfully shattered, paving the way for future actresses to take bolder risks. | Item | Size | Type | Bandwidth