Lisa Portolan Phd Thesis Podcast Film Event !free! -

Portolan’s choice of the podcast as a primary medium for her thesis is a deliberate methodological intervention. Audio, by its very nature, is intimate and temporal. Unlike reading a text, where the eye controls the pace, listening imposes the rhythm of the speaker upon the listener. This mirrors the cinematic experience, where the viewer cannot control the pace of the film on the big screen.

In this sense, the "film event" of Portolan’s thesis extends into the daily lives of her listeners. The commute, the walk, or the quiet moment at home becomes the new site of academic engagement. This shift has profound implications for the future of the humanities, suggesting that rigorous scholarship can coexist with popular media formats. lisa portolan phd thesis podcast film event

Launched during the pandemic, this series explored "love in lockdown". Portolan’s choice of the podcast as a primary

In her podcast, Portolan utilizes soundscapes, interviews, and voice-over narration to evoke the atmosphere of the film events she studies. This aligns with what media scholars call "acousmatic sound"—sound that is heard without its source being seen. By stripping away the visual element of the films and focusing on the discourse and sounds surrounding them, Portolan forces the listener to engage with the idea of the film event in a purely cognitive and imaginative way. The podcast becomes a site of "remediation," where the live, communal aspects of the cinema are transposed into a digital, yet deeply personal, auditory sphere. This mirrors the cinematic experience, where the viewer

Portolan has presented her PhD findings at numerous , including: