Welcome to the fantastic world of classical guitar. In this site, you will find classical guitar pieces, in midi format, for one and more guitars: actually 5641 MIDI files from 96 composers. Information on how to create midi files and a tutorial on the tablature notation system is presented. Images of ancient guitars provided.

New Sequences by François Faucher

Now working on: G.F. Carulli's Gran Sonata Op.25

G.F.Handel's Sonata 2. Allegro 3.Adagio HWV368

.J.S. Bach'sÂ Sonata largo BWV1079 hand signals for dogs chart

F. Carulli's Two Russian Airs with variations Op.110

Â .W.A.Mozart's Symphony No.41 (Jupiter) KWV551 Months passed

. J.S. Bach's .Sonata 2. FugueÂ BWV964

. W.A. Mozart's Theme and variations on: "La belle Françoise" K353 hand signals for dogs chart

W.A. Mozart's .Rondo K.511

Months passed. The chart on the fridge grew frayed at the edges, but the communication between man and dog became seamless. They moved through the woods like a single organism.

skidded to a halt, eyes locked on the hand that spoke "wait." To

didn't need a chart for what happened next. He placed his hand flat on Ghost's sturdy backâ€”the signal for "Leaning Support."

Hand Signals For â€” Dogs Chart

Months passed. The chart on the fridge grew frayed at the edges, but the communication between man and dog became seamless. They moved through the woods like a single organism.

skidded to a halt, eyes locked on the hand that spoke "wait." To

didn't need a chart for what happened next. He placed his hand flat on Ghost's sturdy backâ€”the signal for "Leaning Support."

Your submissions are welcomed.Â Please send them by e-mail (end of text).Â Pieces should bear the composer's nameÂ and be properly identified.(ex.: J.K. Mertz (1806-1856) Nocturne Op.4 No.2.). The submissions should bear information on the transcriber or arranger when available. The submitter's name will appear beside the accepted submission.Â Â

This site exists primarily to showcase pieces written for the classical guitar. Established and recognized transcriptions and arrangements (e.g., Tarrega, Segovia,..) of pieces written by non-guitar composers will also be given high priority. Â

New compositions for the classical guitar are also welcomed.Â New compositions that meet quality guidelines will be added to the site.Â For new contributors, it would be appreciated if you would also submit several pieces by known composers in addition to your own compositions.Â This will help to expand the repertoire of established works for the classical guitar in addition to expanding the repertoire of new music.Â