Film !new! | Last Shift

The 2020 psychological horror film (often discussed alongside its 2023 reimagining, Malum ) remains a powerhouse of indie genre filmmaking. Directed by Anthony DiBlasi, it is a masterclass in tension, utilizing a single location to deliver a claustrophobic descent into madness. The Premise: A Lonely Watch

Andrew Cohn’s 2020 film The Last Shift is a deceptively simple indie drama. On its surface, it is a minor-key comedy of manners set in a rundown fast-food restaurant in suburban Michigan: a grizzled thirty-eight-year veteran, Stanley (Richard Jenkins), trains his young, reluctant replacement, Jevon (Shane Paul McGhie), for a single overnight shift. Yet beneath this modest premise churns a profound elegy for the American working class, a meditation on the invisible architecture of race and opportunity, and a ghost story about the labor that built—and abandoned—the Rust Belt. The film’s true subject is not the last shift at a fast-food joint, but the last shift of an entire socio-economic order, and the profound disorientation that follows when the rituals of work vanish into the night. last shift film

We often complain about horror movies having too big of a budget, relying on CGI ghosts that look like video game cutscenes. Last Shift does the opposite. It traps you in a single location—a decommissioned police station—and makes you feel the isolation right alongside the protagonist, Officer Jessica Loren. On its surface, it is a minor-key comedy

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